Our company is involved in preparing official permits from the Polish Ministry of Development and Technology, which allows us to export all dual-use drones, optics, and portable radiophones without VAT on the Polish side / and without VAT on the Ukrainian side.
Fujifilm GFX100 II (SKU FU-GFX100II)
The GFX100 II is built for photographers and filmmakers who want to go beyond traditional full-frame. Every GFX camera has pushed large-format imaging in new directions, and this model continues that path with significant boosts in speed, video capability and autofocus performance – all while delivering the signature image quality professionals expect from the GFX system. With its new 102 MP “GFX 102MP CMOS II HS” sensor and X-Processor 5, the GFX100 II offers roughly double the readout speed of the GFX100S. This allows for up to 8 fps continuous shooting, extremely responsive autofocus, and advanced video functions not previously available on GFX or X Series bodies.
50124.07 kn net price (non-EU countries)
Anatolii Livashevskyi
Product Manager
/ ![]()
+48721808900
+48721808900
+48721808900
[email protected]
Description
The GFX100 II is built for photographers and filmmakers who want to go beyond traditional full-frame. Every GFX camera has pushed large-format imaging in new directions, and this model continues that path with significant boosts in speed, video capability and autofocus performance – all while delivering the signature image quality professionals expect from the GFX system.
With its new 102 MP “GFX 102MP CMOS II HS” sensor and X-Processor 5, the GFX100 II offers roughly double the readout speed of the GFX100S. This allows for up to 8 fps continuous shooting, extremely responsive autofocus, and advanced video functions not previously available on GFX or X Series bodies.
If you are ready to move in a new direction, the GFX100 II opens the door to new creative opportunities.
High-speed performance
Subject detection autofocus
The X-Processor 5 introduces advanced subject detection AF, bringing fast, reliable autofocus to a large-format camera. Powered by deep-learning AI, the system can detect and track:
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Human faces and eyes
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Animals and birds
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Cars, motorcycles, bicycles
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Airplanes and trains
This lets you concentrate on composition and timing, knowing the camera will handle focus with confidence.
Tip: Set the “SUBJECT DETECTION SETTING” to “BIRD” to detect insects, and to “AIRPLANE” to detect drones.
Updated AF algorithm
An improved AF prediction algorithm enhances performance when tracking fast, erratic subjects, such as in sports or action photography.
High-speed bursts
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Up to 8 fps continuous shooting with the mechanical shutter* allows you to capture peak moments that were previously difficult to reach with large format.
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Boost mode increases the EVF display refresh rate to approximately 120 fps, helping you clearly follow fast-moving subjects in real time.
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Increased buffer memory reduces delays between frames and shortens viewfinder blackout for a smoother shooting experience.
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Blackout-free burst shooting at up to 5.3 fps* gives an uninterrupted view of very fast movement. In 35 mm format mode, blackout-free bursts up to 8.7 fps and 5.8 fps are also possible.
*When using the electronic shutter and relevant settings.
Additional high-speed tools
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Zone custom settings
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AF-C custom settings
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Flexible AF point selection with a dense point layout
Image quality at the highest level
The GFX100 II is not only fast – it continues to raise the bar for image quality.
ISO 80 standard sensitivity
A refined pixel structure allows a base ISO of 80. This provides wider dynamic range and lower noise than previous models, especially in 16-bit stills.
Improved corner performance
Redesigned microlenses improve light gathering at the edges of the sensor, enhancing corner sharpness and autofocus accuracy, even with wide lenses.
HEIF support
In addition to JPEG, the camera supports 10-bit HEIF files, offering:
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Over a billion colours
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Higher image quality
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Up to roughly 30% less file size compared to JPEG
Pixel Shift Multi-Shot
For ultimate resolution and colour fidelity, Pixel Shift Multi-Shot can generate a 400 MP image:
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The in-body stabiliser shifts the sensor by 0.5 pixels between each frame.
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20 RAW files are captured so that each red, green and blue pixel receives full information.
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The combined result is an extremely detailed image with minimal false colour and exceptionally fine detail.
New film simulation – REALA ACE
REALA ACE is the latest addition to Fujifilm’s film simulations and debuts on the GFX100 II:
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Balanced, faithful colour reproduction
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Firm, punchy tonality
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Suitable for a wide variety of subjects and lighting conditions
The camera offers 20 Film Simulation modes in total.
Additional stills features
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IPTC metadata support
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Improved Auto White Balance and WB shift
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Grain effect
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Colour Chrome and Colour Chrome FX Blue
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Smooth Skin effect
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Clarity adjustments
Power and precision for video
Internal 4K/60p and 8K/30p recording
The GFX100 II is a true hybrid camera, offering:
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4K/60p internal recording with 4:2:2 10-bit colour
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8K/30p recording for extremely detailed footage
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ISO 100 as standard movie sensitivity for maximum quality
Multiple cinema formats
Beyond the native GFX large-format mode, the camera supports several cine-style formats, including:
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Premista
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35 mm
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Anamorphic 35 mm (with high-resolution FF anamorphic modes and in-camera de-squeeze options)
With a GF-to-PL adapter, you can mount PL cinema lenses such as Fujinon Premista and Cabrio zooms, using the large sensor for a truly cinematic look.
Improved subject tracking in video
In AF-C mode with Wide/Tracking AF:
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Tap the subject on the rear LCD to start tracking.
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The camera will follow that subject, even when multiple objects are present in the frame.
A faster sensor readout significantly reduces rolling shutter, making panning and tracking shots look more natural.
F-Log2 and dynamic range
The GFX100 II is the first GFX body to feature F-Log2:
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Offers 14+ stops of dynamic range*
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Preserves detail in shadows, midtones and highlights for extensive grading flexibility
*When using F-Log2 and D Range Priority settings.
Frame.io Camera to Cloud integration
The camera includes built-in Frame.io Camera to Cloud support without requiring extra hardware:
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Connect via Wi-Fi or Ethernet LAN
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Upload high-resolution RAW or JPEG stills
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Send H.264 proxy video
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Securely transfer 4K ProRes clips for instant review and collaboration
Manual focus assist – Focus Map
A new Focus Map mode helps visualise focus zones during manual focus, offering precise control for critical shots.
RAW output via HDMI
With compatible external recorders:
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ATOMOS devices can record 12-bit Apple ProRes RAW up to 8K at 29.97 fps.
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Blackmagic Video Assist units can record Blackmagic RAW up to 8K at 29.97 fps.
(Refer to ATOMOS or Blackmagic for the latest compatible firmware and devices.)
Video cooling and external SSD recording
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The optional FAN-001 cooling fan attaches directly to the camera, drawing power from the body and extending recording times in high temperatures.
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Through the USB Type-C port, you can record stills and video directly to an external SSD in most modes, including 4K/60p and 8K/30p (check Fujifilm’s SSD compatibility list for limitations).
Additional video tools
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Waveform monitor
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Vectorscope
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F-Log2 D Range Priority
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ATOMOS AirGlu BT for wireless timecode*
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Pixel mapping
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Recording frame indicator
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IS Mode Boost
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Zebra pattern
*AirGlu is a trademark of ATOMOS. Check ATOMOS for supported devices and firmware.
Confidence in the view
9.44M-dot 1.0× electronic viewfinder
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The EVF offers 9.44 million dots and 1.0× magnification for a large, clear image.
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Optical-style view behaviour reduces distortion and drift when your eye is not perfectly centred, helping maintain a natural, accurate view.
Design and ergonomics
The GFX100 II combines high-end technology with practical handling.
BISHAMON-TEX leather pattern
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The body is wrapped in a Japanese-inspired BISHAMON-TEX texture that improves grip from all directions and adds a distinctive visual character.
Enhanced top plate and controls
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A larger top-plate sub-LCD with a redesigned interface improves visibility.
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The top plate is angled by 11° to make information easier to read during use.
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Three customisable Fn buttons on the grip provide quick access to key settings, helping you make adjustments without losing focus on the scene.
System expansion and ports
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CFexpress Type B card support for high-speed stills and video recording
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Optional vertical grip VG-GFX100II for extended shooting and improved portrait orientation handling
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Compatibility with the EVF-TL1 tilt adapter for adjustable viewfinder angles
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Ethernet port for wired network workflows
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HDMI Type A terminal for robust external connections
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USB-C terminal for data, power and SSD recording
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NP-W235 Li-ion battery for long shooting sessions
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2.36M-dot three-way tilting rear LCD for flexible composition
Package includes
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FUJIFILM GFX100 II camera body
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Interchangeable electronic viewfinder EVF-GFX3
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Li-ion battery NP-W235
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AC power adapter AC-5VJ
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Plug adapter
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USB cable
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Shoulder strap
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Body cap
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Hot shoe cover
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Vertical battery grip connector cover
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Memory card slot cover
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Sync terminal cover
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Cooling fan connector cover
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Cable protector
Technical specifications – FUJIFILM GFX100 II
Imaging
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Lens mount: FUJIFILM G
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Sensor: 43.8 × 32.9 mm medium format CMOS
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Effective resolution: 102 megapixels
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Image stabilisation: 5-axis sensor-shift IBIS
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Built-in ND filter: No
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Capture type: Stills and video
Exposure and shutter
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Shutter types: Mechanical focal-plane and electronic rolling shutter
Mechanical shutter:
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Manual mode: 1/4000 s to 60 minutes
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Program mode: 1/4000 s to 30 seconds
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Aperture Priority mode: 1/4000 s to 30 seconds
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Bulb mode: up to 60 minutes
Electronic shutter:
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Manual mode: 1/32,000 s to 60 minutes
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Program mode: 1/32,000 s to 30 seconds
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Aperture Priority mode: 1/32,000 s to 30 seconds
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Bulb mode: up to 60 minutes
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Bulb mode: Supported
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ISO sensitivity (stills): ISO 80–12,800 (extended ISO 40–102,400)
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ISO sensitivity (video): ISO 100–12,800 (extended to ISO 25,600)
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Metering: Multi, average, centre-weighted, spot (256-zone TTL)
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Exposure modes: Program (P), Aperture priority (A), Shutter priority (S), Manual (M)
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Exposure compensation: −5 to +5 EV in 1/3 EV steps
White balance
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Range: 2500–10,000 K
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Presets: Auto, Custom, Fluorescent, Shade, Underwater
Continuous shooting and timers
Mechanical shutter:
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Up to 8 fps at 102 MP, for approx. 76 RAW frames or unlimited JPEGs
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Up to 5 fps at 102 MP, for approx. 497 RAW frames or unlimited JPEGs
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Up to 2 fps at 102 MP, for unlimited RAW and JPEG frames
Electronic shutter:
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Up to 5.3 fps at 102 MP, for approx. 390 RAW frames or unlimited JPEGs
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Interval recording: Supported
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Self-timer: 2 or 10 seconds
Still image capture
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Aspect ratios: 1:1, 3:2, 4:3, 5:4, 7:6, 16:9, 65:24
Image size examples:
3:2
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11,648 × 7768
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8256 × 5504
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4000 × 2664
4:3
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11,648 × 8736
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8256 × 6192
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4000 × 3000
16:9
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11,648 × 6552
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8256 × 4640
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4000 × 2248
1:1
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8736 × 8736
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6192 × 6192
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2992 × 2992
65:24
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11,648 × 4304
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8256 × 3048
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4000 × 1480
5:4
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10,928 × 8736
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7744 × 6192
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3744 × 3000
7:6
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10,192 × 8736
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7232 × 6192
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3504 × 3000
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File formats: JPEG, RAW, TIFF
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Bit depth: Up to 16-bit
Video recording
Internal recording
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Codecs: H.264 / H.265 / MPEG-4 AVC / ProRes 422 / ProRes 422 HQ / ProRes 422 LT
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Resolutions and frame rates (examples):
8192 × 4320 at 23.98 / 24.00 fps
7680 × 4320 at 23.98 / 24.00 / 25 / 29.97 fps
8192 × 2968 at 23.98 / 24.00 fps
5824 × 2476 at 23.98 / 24.00 / 25 / 29.97 fps
5440 × 2868 at 23.98 / 24.00 / 25 / 29.97 fps
4776 × 3184 at 23.98 / 24.00 fps
4776 × 2688 at 23.98 / 24.00 / 25 / 29.97 fps
4664 × 3380 at 23.98 / 24.00 fps
4096 × 2160 at 23.98 / 24.00 / 25 / 29.97 / 50 / 59.94 fps
3840 × 2160 at 23.98 / 24.00 / 25 / 29.97 / 50 / 59.94 fps
2048 × 1080 at 23.98 / 24.00 / 25 / 29.97 / 50 / 59.94 / 100 / 120 fps
1920 × 1080 at 23.98 / 24.00 / 25 / 29.97 / 50 / 59.94 / 100 / 120 fps -
Bitrates: Up to approximately 720 Mb/s depending on mode
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High-speed recording: Slow-motion options available up to 120 fps in Full HD
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Recording time limit: Up to 60 minutes per clip in 4K modes (subject to conditions)
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Broadcast standards: NTSC / PAL switchable
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IP streaming: Not provided natively
External recording
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4:2:2 10-bit via HDMI at multiple resolutions up to 8K
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RAW via HDMI for Apple ProRes RAW and Blackmagic RAW, up to 8K at 29.97 fps
Audio
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Built-in microphone: Stereo
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Audio file format: 24-bit / 48 kHz LPCM
Interface and connectivity
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Memory cards:
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Slot 1: SD / SDHC / SDXC (UHS-II)
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Slot 2: CFexpress Type B
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Video output: 1 × HDMI (Type unspecified, full-size Type A on the body)
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Audio:
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1 × 3.5 mm stereo microphone input
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1 × 3.5 mm stereo headphone output
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USB:
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1 × USB-C for power and data (shared input/output)
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Network:
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1 × RJ45 Ethernet port
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Wireless and app support
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Wi-Fi: Wi-Fi 5 (802.11ac)
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Bluetooth: 4.2
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Mobile app: FUJIFILM XApp (Android and iOS)
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Functions: Remote shooting, live view, file transfer, settings adjustment, firmware updates (check Fujifilm for latest compatibility)
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GPS: Via connected smartphone
Monitor and viewfinder
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Rear LCD:
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Size: 3.2"
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Resolution: 2,360,000 dots
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Type: 3-way tilting touchscreen
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Top status display:
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Size: 2.09" LCD
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Electronic viewfinder:
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Type: OLED EVF
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Size: 0.64"
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Resolution: 9,440,000 dots
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Eye point: 21 mm
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Coverage: 100%
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Magnification: Approx. 1.0×
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Focusing and flash
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Focus types: Autofocus and manual focus
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Focus modes: Single-servo AF, continuous-servo AF, manual focus
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Built-in flash: None
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Maximum flash sync: 1/125 second
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Flash system: TTL
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External flash: Hot shoe and PC sync terminal
Environmental and physical details
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Operating temperature: −10 to 40 °C (14 to 104 °F)
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Operating humidity: 10–80% (non-condensing)
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Battery: NP-W235 rechargeable lithium-ion (approx. 540 shots per charge, depending on conditions)
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Shoe mount: Standard hot shoe
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Tripod socket: 1 × 1/4"-20 female thread
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Dimensions (W × H × D): Approx. 152.4 × 117.4 × 98.6 mm (6 × 4.6 × 3.9")
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Weight:
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Approx. 949 g (with viewfinder)
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Approx. 1.03 kg (with viewfinder, battery and memory card)
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Data sheet
Official permits of the Ministry of Development and Technology
Our company is involved in preparing official permits from the Polish Ministry of Development and Technology, which allows us to export all dual-use drones, optics, and portable radiophones without VAT on the Polish side / and without VAT on the Ukrainian side.