Fujifilm GFX100RF Black (SKU FU-GFX100RFB)

The GFX100RF is a unique large-format camera that makes 102-megapixel photography truly portable. Its compact, lightweight body weighs just 735 g, yet delivers the detail and tonality of a large-format 102 MP sensor. A precision-machined aluminum shell, tactile analog controls and versatile aspect ratios are designed to engage your hands, eyes and imagination every time you pick it up.

Rangefinder-style experience

The offset electronic viewfinder gives GFX100RF a classic rangefinder-style feel. This layout pairs perfectly with the small fixed lens and quiet leaf shutter, and it also helps you stay aware of the world beyond the frame, making it easier to anticipate and follow moments as they unfold.

A small body that opens up a big world

• A smaller camera gives you more freedom to move.

• A lighter camera lets you travel farther and carry it longer.

• Higher resolution makes your memories more vivid.

• A camera you carry every day turns ordinary life into endless opportunity.

The GFX100RF is designed to slip into almost any bag, weighing just 735 g (1.62 lb). Wherever you go, you carry the power of large-format photography with you, ready to capture your own unique perspective.

Photography that speaks to your senses

From the feel of the shutter dial to the creative framing possibilities of the viewfinder, GFX100RF is built to make the act of photographing enjoyable and immersive. Its controls and interface are meant to connect you closely with the image-making process, not distract you from it.

Aspect Ratio dial

A dedicated Aspect Ratio dial lets you quickly choose the frame shape that suits your vision. You can select from nine ratios, including:

• Classic photographic formats: 5:4, 3:2, 1:1

• Fujifilm-inspired formats: 17:6, 3:4, 65:24

• Other creative options for different subjects and outputs

Changing aspect ratio becomes a deliberate, physical part of your creative process.

Tactile dials and teleconverter control

Machined aluminum dials for shutter speed, ISO and exposure compensation move with a smooth, precise feel. Each adjustment becomes a small moment of interaction with the camera. The lens aperture ring and the digital teleconverter toggle are also designed to feel intuitive and satisfying, turning even digital functions into something tactile rather than abstract.

Intuitive interface and immersive view

The 3:2 LCD layout puts key icons and information where they remain visible but unobtrusive, so your attention stays on the image. A Surround View function can show a semi-transparent overlay of the area outside the active frame, helping you see what is coming into your composition and making framing more fluid and intuitive.

High-magnification EVF

The 0.5" OLED electronic viewfinder has 5.76 million dots and up to 0.84× magnification, giving a clear, detailed connection between the three-dimensional scene and your final two-dimensional image. It helps you judge focus, tonality and composition with precision.

Classic design with modern performance

GFX100RF blends advanced technology with a design that recalls classic cameras. It offers top-tier image quality in a body that feels approachable and inspiring. Simply holding it is satisfying; once you start shooting with it, it encourages you to keep exploring creatively.

Craftsmanship in every detail

This camera is conceived as part of your creative process, not just a tool. The top and base plates, aperture ring, hot shoe cover and battery door are precisely machined from aluminum. Sharp, defined edges, solid construction and the warmth of the metal’s thermal properties create a distinctive tactile experience. Every detail has been shaped with care, turning simple handling into a source of inspiration.

Accessories that match the camera

Included accessories are designed to complement both performance and aesthetics. The adapter ring shares the same premium finish as the body and integrates seamlessly with the lens hood. Combined with filters, it helps improve weather resistance while maintaining the camera’s clean lines. The supplied strap balances comfort, portability and security, giving you a reliable way to carry the camera all day.

A natural view with a 35 mm lens

The built-in 35 mm lens (equivalent to 28 mm in 35 mm format) is known for its natural, versatile perspective, close to how we perceive the world. Paired with the 102 MP large-format sensor, it records scenes with stunning clarity, subtlety and realism.

Newly designed 35 mm F4 lens

• Optical design: 10 elements in 8 groups, including two aspherical elements

• Nano GI Coating to reduce flare and reflections across the frame

• Compact dimensions while maintaining high edge-to-edge sharpness

• Smooth, accurate autofocus driven by a DC motor

For the first time in a GFX system lens, this lens includes:

• A built-in 4-stop ND filter for working with wide apertures in bright light

• A leaf shutter that can sync flash at any available shutter speed

These features offer powerful creative control, especially when working outdoors with flash or in high-contrast conditions.

Close focusing for shallow depth of field

The minimum focusing distance is approximately 20 cm from the front of the lens, inviting you to move closer and experience the scene more intimately. At close distances, the shallow depth-of-field produces smooth, large-format bokeh and a distinct, three-dimensional rendering.

Overwhelming image quality

The GFX100RF is built for image quality above almost everything else. It records fine textures, delicate colours and smooth tonal transitions so you can crop aggressively or print very large without losing detail.

With its GFX 102MP CMOS II large-format sensor and high-speed X-Processor 5, it sets a new benchmark:

• 102 million effective pixels

• 43.8 × 32.9 mm sensor size

A redesigned pixel structure and microlens layout provide:

• Wide dynamic range

• Low noise

• High sharpness from corner to corner

• Improved autofocus accuracy across the frame

Film Simulation and creative options

You no longer need different films or multiple bodies to achieve different looks. GFX100RF offers:

• 20 Film Simulation modes, including classic looks like PROVIA, Velvia, ASTIA, Classic Chrome, ACROS and REALA ACE

• Nine aspect ratios, changeable from frame to frame

• Custom settings to save your preferred combinations of colour, contrast and other parameters

This gives you tremendous control over how your images look, directly in-camera.

Redefining large-format performance

Fast and accurate autofocus

Enhanced algorithms improve predictive AF and face/eye detection. AI-based subject detection, using deep-learning technology, recognises:

• People

• Animals and birds

• Vehicles

Autofocus tracking for video is also improved, with touch-based subject selection making it easy to follow your chosen point of interest.

Video for visual storytellers

GFX100RF records:

• 4K/30p video with 4:2:2 10-bit internal recording

With a base ISO of 100 in video, it delivers low-noise footage with rich tonality. F-Log2 offers 13+ stops of dynamic range* for flexible grading. Digital image stabilisation (DIS) helps reduce camera shake and walking motion when recording handheld.

*In F-Log2 with appropriate dynamic range settings.

Package includes

• FUJIFILM GFX100RF (black)

• NP-W235 Li-ion battery

• USB cable

• Shoulder strap

• Clip attaching tool

• Lens cap

• Lens hood

• Hood cap

• Adapter ring

• Protector filter

• Hot shoe cover

Technical specifications – FUJIFILM GFX100RF

Model and core components

• Model name: FUJIFILM GFX100RF

• Image sensor: 43.8 × 32.9 mm GFX 102MP CMOS II with primary colour filter

• Effective pixels: Approx. 102 million

• Image processing engine: X-Processor 5

Storage media

• SD card (up to 2 GB)

• SDHC card (up to 32 GB)

• SDXC card (up to 2 TB)

• UHS-I and UHS-II support

• Video Speed Class V90

• SSD (up to 2 TB)

(Refer to Fujifilm camera compatibility information for recommended cards and SSDs.)

Still image file formats

• DCF (Design rule for Camera File System 2.0 compliant)

• JPEG (Exif 2.32)

• HEIF 4:2:2 10-bit

• RAW (14-bit / 16-bit RAF)

• TIFF (8-bit / 16-bit RGB from in-camera RAW conversion)

Exif 2.32 supports storing a range of shooting information for optimal printing and metadata use.

Recorded pixel counts

[L – large]

• 4:3: 11648 × 8736

• 3:2: 11648 × 7768

• 16:9: 11648 × 6552

• 65:24: 11648 × 4304

• 17:6: 11648 × 4112

• 5:4: 10928 × 8736

• 7:6: 10192 × 8736

• 1:1: 8736 × 8736

• 3:4: 6544 × 8736

[M – medium]

• 4:3: 8256 × 6192

• 3:2: 8256 × 5504

• 16:9: 8256 × 4640

• 65:24: 8256 × 3048

• 17:6: 8256 × 2912

• 5:4: 7744 × 6192

• 7:6: 7232 × 6192

• 1:1: 6192 × 6192

• 3:4: 4640 × 6192

[S – small]

• 4:3: 4000 × 3000

• 3:2: 4000 × 2664

• 16:9: 4000 × 2248

• 65:24: 4000 × 1480

• 17:6: 4000 × 1408

• 5:4: 3744 × 3000

• 7:6: 3504 × 3000

• 1:1: 2992 × 2992

• 3:4: 2240 × 3000

Fixed lens

• Type: FUJINON single focal length lens

• Focal length: 35 mm (equivalent to 28 mm in 35 mm format)

• Maximum aperture: f/4

• Optical configuration: 10 elements in 8 groups (including 2 aspherical elements)

• Built-in ND filter: Yes (4 stops)

• Aperture range: f/4 to f/22 in 1/3 EV steps, with 9-blade diaphragm

• Minimum focus distance: Approx. 0.2 m (from the front of the lens)

• Digital teleconverter options:

  • 45 mm (approx. 36 mm equivalent)

  • 63 mm (approx. 50 mm equivalent)

  • 80 mm (approx. 63 mm equivalent)

  • Off

Sensitivity

Stills – standard output:

• AUTO1, AUTO2, AUTO3

• ISO 80–12800 (1/3 EV steps)

Stills – extended output:

• ISO 40, ISO 25600, ISO 51200, ISO 102400

Movies – standard:

• AUTO

• ISO 100–12800 (1/3 EV steps)

Movies – extended:

• ISO 25600

Exposure control

• Metering: TTL 256-zone metering with Multi, Spot, Average, and Center-Weighted options

• Modes: Program AE (P), Aperture Priority AE (A), Shutter Priority AE (S), Manual (M)

• Exposure compensation:

  • Stills: −5.0 to +5.0 EV in 1/3 EV steps

  • Movies: −2.0 to +2.0 EV in 1/3 EV steps

Image stabilisation

• Digital image stabilisation (DIS) for movies

• IS Mode Boost for enhanced stabilisation in video

Shutter system

Lens shutter combined with electronic shutter.

Mechanical (leaf) shutter:

• P mode: 30 s to 1/4000 s

• A mode: 30 s to 1/4000 s

• S/M modes: 60 minutes to 1/4000 s

• Bulb: up to 60 minutes

Electronic shutter:

• P mode: 30 s to 1/16000 s

• A mode: 30 s to 1/16000 s

• S/M modes: 60 minutes to 1/16000 s

• Bulb: fixed at 1 second

Combined mechanical + electronic:

• P and A modes: 30 s to 1/16000 s

• S/M modes: 60 minutes to 1/16000 s

Note: The electronic shutter may not be suitable for fast-moving subjects or handheld use due to rolling shutter, and flash cannot be used with the electronic shutter.

Movie shutter speeds:

• 4K / DCI 4K: 1/4000 s to 1/8 s

• Full HD: 1/4000 s to 1/8 s

(Slowest shutter may be restricted by frame rate.)

Continuous shooting

CH – electronic shutter (approx. 3.0 fps):

• JPEG: 1000+ frames

• Compressed RAW: approx. 508 frames

• Lossless compressed RAW: approx. 45 frames

• Uncompressed RAW: approx. 20 frames

• Compressed RAW + JPEG: approx. 41 frames

• Lossless compressed RAW + JPEG: approx. 29 frames

• Uncompressed RAW + JPEG: approx. 16 frames

CH – mechanical shutter (approx. 6.0 fps):

• JPEG: approx. 296 frames

• Compressed RAW: approx. 40 frames

• Lossless compressed RAW: approx. 20 frames

• Uncompressed RAW: approx. 17 frames

• Compressed RAW + JPEG: approx. 19 frames

• Lossless compressed RAW + JPEG: approx. 15 frames

• Uncompressed RAW + JPEG: approx. 12 frames

CH – mechanical shutter (approx. 4.0 fps):

• JPEG: 1000+ frames

• Compressed RAW: approx. 83 frames

• Lossless compressed RAW: approx. 25 frames

• Uncompressed RAW: approx. 18 frames

• Compressed RAW + JPEG: approx. 38 frames

• Lossless compressed RAW + JPEG: approx. 21 frames

• Uncompressed RAW + JPEG: approx. 13 frames

CL – mechanical shutter (approx. 2.0 fps):

• JPEG: 1000+ frames

• Compressed RAW: 1000+ frames

• Lossless compressed RAW: approx. 337 frames

• Uncompressed RAW: approx. 26 frames

• Compressed RAW + JPEG: approx. 312 frames

• Lossless compressed RAW + JPEG: approx. 42 frames

• Uncompressed RAW + JPEG: approx. 20 frames

(Values are approximate and depend on temperature, memory card type and shooting conditions.)

Drive modes and bracketing

• AE bracketing: 2, 3, 5, 7 or 9 frames (1/3 EV steps, up to ±3 EV)

• Film Simulation bracketing: any 3 film simulations

• Dynamic Range bracketing: 100%, 200%, 400%

• ISO bracketing: ±1/3, ±2/3, ±1 EV

• White balance bracketing: ±1, ±2, ±3

• Focus bracketing: AUTO and MANUAL modes

• Multiple exposure: up to 9 frames with Additive, Average, Bright or Dark blending

Autofocus

• Modes: Single AF, Continuous AF, Manual focus

• System: Intelligent Hybrid AF (TTL contrast + TTL phase detection)

• Low-light AF performance:

  • Contrast AF: around 0 EV

  • Phase detection AF: down to approx. −3 EV

AF frame selection:

• Single Point AF: 13 × 9 or 25 × 17 grid, adjustable frame size

• Zone AF: 3 × 3, 5 × 5, 7 × 7, and Custom (1–3) within a 13 × 9 grid of 117 areas

• “All” mode to quickly cycle between sizes

Subject detection:

• Animal

• Bird

• Automobile

• Motorcycle/Bike

• Airplane

• Train

Flash

• Shoe-mount flash support (no built-in flash)

• Sync modes: 1st curtain, 2nd curtain

• Flash modes:

  • TTL (TTL AUTO / STANDARD / SLOW SYNC)

  • Manual

  • MULTI (with supported flashes like EF-X500)

  • OFF

• Hot shoe: Compatible with dedicated Fuji TTL flash units

Viewfinder

• EVF: 0.5" OLED colour viewfinder with approx. 5.76 million dots

• Coverage: Approx. 100%

• Eye point: Approx. 24 mm from the eyepiece

• Dioptre adjustment: −5 to +3 m⁻¹

• Magnification: 0.84× with a 50 mm equivalent lens at infinity and dioptre at −1.0 m⁻¹

• Diagonal field of view: approx. 40° (horizontal approx. 32°)

• Built-in eye sensor for automatic switching with the rear screen

Rear LCD

• Screen: 3.15" tilt-type touchscreen LCD

• Aspect ratio: 3:2

• Resolution: Approx. 2.10 million dots

Touch functions in shooting mode:

• AF point selection

• Touch AF

• Double-tap zoom (ON/OFF)

• Touch function shortcuts (ON/OFF)

• EVF touch area setting

Touch functions in playback:

• Swipe, pinch, double-tap, drag

Movie recording

File formats:

• MOV: ProRes 422 HQ / ProRes 422 / ProRes 422 LT, HEVC/H.265, MPEG-4 AVC/H.264 with Linear PCM stereo audio (24-bit, 48 kHz)

• MP4: MPEG-4 AVC/H.264 with AAC audio

Compression:

• All-Intra and Long GOP, depending on mode

DCI 4K (17:9 – 4096 × 2160):

• Frame rates: 29.97p, 25p, 24p, 23.98p

• Bitrates: 50, 100, 200, 360, 720 Mb/s

4K UHD (16:9 – 3840 × 2160):

• Frame rates: 29.97p, 25p, 24p, 23.98p

• Bitrates: 50, 100, 200, 360, 720 Mb/s

Full HD (17:9 – 2048 × 1080) and Full HD (16:9 – 1920 × 1080):

• Frame rates: 59.94p, 50p, 29.97p, 25p, 24p, 23.98p

• Bitrates: 50, 100, 200, 360, 720 Mb/s

Notes:

• Available modes change depending on the selected image format.

• For 360 Mb/s recording, use Video Speed Class 60 or higher SD cards.

• For 720 Mb/s, use Video Speed Class 90 or higher.

• ProRes codecs can only be recorded to SSD (bitrate not user-selectable).

• Recording time may be reduced by temperature and shooting conditions.

Film Simulation and effects

• 20 Film Simulation modes, including PROVIA, Velvia, ASTIA, Classic Chrome, REALA ACE, PRO Neg Hi, PRO Neg Std, Classic Neg, Nostalgic Neg, ETERNA, ETERNA Bleach Bypass, ACROS variations, Black & White variations and Sepia

• Monochromatic Colour control

• Grain Effect: Roughness (Strong, Weak, Off) and Size (Large, Small)

• Colour Chrome Effect and Colour Chrome Blue (Strong, Weak, Off)

• Smooth Skin effect (Strong, Weak, Off)

Dynamic range settings

Stills:

• AUTO / DR100 / DR200 / DR400

• ISO restrictions:

  • DR100: No limit

  • DR200: ISO 160+

  • DR400: ISO 320+

Movies:

• DR100 / DR200 / DR400

• ISO restrictions:

  • DR100: No limit

  • DR200: ISO 200+

  • DR400: ISO 400+

White balance

• Auto: White Priority / Auto / Ambience Priority

• Custom: 3 custom presets

• Kelvin: 2500–10000 K

• Presets: Daylight, Shade, Fluorescent (three types), Incandescent, Underwater

Clarity can be adjusted in ±5 steps.

Self-timer and interval shooting

• Stills self-timer: 10 s or 2 s

• Movie self-timer: 10 s, 5 s or 3 s

• Interval timer: Configurable interval, shot count, start time, exposure smoothing and priority options

Wireless and networking

Wireless:

• Wi-Fi: IEEE 802.11 a/b/g/n/ac

• Encryption: WPA/WPA2 mixed mode, WPA3

• Access mode: Infrastructure

Bluetooth:

• Version 4.2 (low energy)

• Frequency: 2402–2480 MHz

Mobile app:

• FUJIFILM XApp (Android / iOS) for remote control, live view, file transfer, settings and firmware updates

Ports and terminals

• USB Type-C (USB 10 Gbps)

• HDMI Micro connector (Type D)

• 3.5 mm stereo jack for microphone or remote release

• 3.5 mm stereo headphone jack

• Hot shoe

Power and battery life

• Battery: NP-W235 Li-ion (included)

Still images (CIPA, normal mode with auto power save):

• Approx. 820 frames

Movie recording (face detection off):

• 4K 29.97p: Approx. 100 minutes

• Full HD 59.94p: Approx. 90 minutes

Continuous movie capture (face detection off):

• 4K 29.97p: Approx. 140 minutes

• Full HD 59.94p: Approx. 140 minutes

Dimensions and weight

• Width: 133.5 mm

• Height: 90.4 mm

• Depth: 76.5 mm (minimum depth 37.2 mm)

• Weight: Approx. 735 g (with battery and memory card), approx. 654 g (body only)

Operating conditions

• Temperature: −10 °C to +40 °C

• Humidity: 10–80% (non-condensing)

• Startup time: Approx. 0.6 seconds

Included accessories

• NP-W235 Li-ion battery

• USB cable

• Shoulder strap

• Clip attaching tool

• Lens cap

• Lens hood

• Hood cap

• Adapter ring

• Protector filter

• Hot shoe cover